|
Title |
|
Barbe-Bleue (Bluebeard) |
| Composer |
|
Jacques Offenbach
(1819 - 1880) |
| Librettists |
|
Henri Meilhac
and
Ludovic Halévy |
| Genre |
|
Opéra-bouffe;
light opera |
|
First performance |
|
5-2-1866,
Paris, Théâtre des Variétés |
| Time of action |
|
The past. |
| Place of action |
|
- A village-square.
- a: A hall in the royal palace
b: A sepulchral vault.
- Festive hall in the royal palace.
|
| Main parts |
|
| Boulotte |
mezzo-soprano |
| Princess Hermia, alias Fleurette |
soprano |
| Bluebeard |
tenor |
| King Bobêche |
comic tenor |
| Popolani |
baritone |
| Prince Saphir |
tenor |
| Queen Clémentine |
contralto or mezzo-soprano |
|
| Prominence of
chorus |
|
Lots of choral
numbers. |
| Orchestra |
|
2 flutes, 1
oboe, 2 clarinets, 1 bassoon, 2
French horns, 2 trumpets, 1 trombone, kettle-drums,
percussion, strings. |
| Special demands |
|
None. |
|
Full score and orchestral parts |
|
Available. |
|
Level |
|
Not
particularly difficult. Tenor-part (Bluebeard) rather taxing. |
| Length |
|
Normal. |
| Music |
|
Typically
Offenbach: parody of grand opera. Highlight: duet for mezzo and tenor in
tomb-scene. Air of Boulotte may be transposed up, if desired. |
| Story |
|
Parody of
Charles Perrault's well-known tale. In this opera Bluebeard's wives do not
die; his alchemist, Popolani, hides them in a cellar, from which they manage
to escape, led by the peasant-girl Boulotte. General happy ending. |
| Costumes |
|
Peasant- and
court-dress. |