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Title |
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Monsieur Choufleuri restera chez lui le ... |
| Composer |
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Jacques Offenbach (1819 - 1880) |
| Librettists |
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De Saint-Rémy, Halévy, Crémieux and Lépine. |
| Genre |
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Light opera in
one act. |
|
First performance |
|
September 14th, 1861, Théâtre des
Bouffes-Parisiens, Paris. |
| Time of
action |
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Paris, ca. 1830. |
| Place of action |
|
Bourgeois drawing-room furnished in vulgar
taste. |
| Main parts |
|
| Monsieur
Choufleuri |
comic bass |
| Ernestine,
his daughter |
soprano |
| Chrysodule
Babylas, her lover |
tenor |
| Butler |
comic tenor
or baritone |
|
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Prominence of chorus |
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In the first part: soloists only. Second part:
lots to do for chorus. |
|
Orchestra |
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2 flutes,
1 oboe, 2 clarinets, 1 bassoon,
2 French horns, 2 trumpets, 1
trombone, kettle-drums, percussion, strings.. |
|
Special demands |
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None. |
|
Full score and orchestral parts |
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Available. |
|
Level |
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Not at all difficult. |
|
Length |
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One
act, about one hour. |
| Music |
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The opera is specially famed for the grand trio
in which Italian belcanto is parodied. There is a solo for the soprano, a
duet for soprano and tenor, another amusing trio and a comic solo for the
butler. |
| Story |
|
M. Choufleuri, a nouveau riche, wants to figure
not just in the world of finance but also in that of culture. He decides to
give a concert of Italian opera at his home, engaging three famous singers.
The three stars, however, call off their appearance at the last minute.
Choufleuri's daughter knows what to do: she will sing the soprano part, her
boy-friend will be the tenor and her father the bass. The concert is a great
success. The tenor now demands Choufleuri's consent for marrying his
daughter and a sizable dowry into the bargain, threatening to reveal the
fraud if he refuses. The only thing Choufleuri can do is comply. |
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Costumes |
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19th century costume (ca. 1830) for soloists and
chorus. |
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