|
Title |
|
El Barberillo de Lavapiés |
| Composer |
|
Francisco Asenjo Barbieri (1823 - 1894) |
| Librettist |
|
Luis Mariano de Larra (1830 - 1901) |
| Genre |
|
Zarzuela, Spanish operetta in three acts. |
|
First performance |
|
December 19, 1874, Teatro de la Zarzuela,
Madrid. |
| Time of
action |
|
Mid-eighteenth century. |
| Place of action |
|
- Near Madrid
- A square in a quarter of
Madrid: Lavapiés
- The house of Paloma, a
poor seamstress, Calle de Toledo, Madrid.
|
| Main parts |
|
| Paloma,
seamstress |
mezzo-soprano |
| Marquise
Estrella |
soprano |
| Lamparilla,
barber |
comic tenor
(or high baritone) |
| Don Luis,
Estrella's fiancé |
tenor |
| Don Juan |
bass-baritone |
| Don Pedro |
bass-baritone |
|
|
Prominence of chorus |
|
Considerable; no women's chorus in act II, but
large choral scene for women in act III. |
|
Orchestra |
|
2 flutes,
2 oboes, 2 clarinets, 2 bassoons,
2 French horns,
2 trumpets, 3
trombones, kettle-drums, percussion, strings.. |
|
Special demands |
|
Small band of plucked instruments (guitars,
mandolins etc.) |
|
Full score and orchestral parts |
|
Available. |
|
Level |
|
Not at all difficult. |
|
Length |
|
About 2 hours. |
| Music |
|
Lively; full of sentiment and spirited by turns.
Charming medley of Spanish folklore (chorus and comic couple) and Italianate
opera (serious couple). |
| Story |
|
Paloma, a seamstress, and her beloved
Lamparilla, get involved in the political intrigues of the marquise Estrella.
The latter's fiancé, Don Luis, is extravagantly jealous; his unjustified
suspicions are the cause of near disaster. A specially comic rôle is played
by the police, (basses and baritones) who are invariably too late when action is
required. |
|
Costumes |
|
One costume for the women; one, or two, for the
men. |